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Mehfil

Mehfil saj rahi hai. Urdu and Hindi first, English beside.

Ghazal explained

What Translation Changes in a Ghazal

Translating a ग़ज़ल is notoriously difficult work, since so much of its power rests specifically on qafia and radif, particular sounds that rarely survive fully...

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Ghazal explained

Ishq-e-Majazi and Ishq-e-Haqiqi Explained Gently

इश्क़ (ishq) is love, but the ग़ज़ल tradition speaks warmly of two distinct kinds....

Ghazal explained

Matla: The Couplet That Sets the Rules

मतला (matla) is the opening couplet of a ग़ज़ल, and it carries a special responsibility that no...

Ghazal explained

The Beloved as Person and as Presence

The beloved, often called महबूब (mehboob) in ग़ज़ल verse, rarely appears as a fully drawn...

Ghazal explained

Maqta: Where the Poet Signs the Ghazal

मक़्ता (maqta) is the final couplet of a ग़ज़ल, and it holds a small signature within its...

Ghazal explained

The Sher: A Ghazal's Smallest Complete World

शेर (sher) means couplet, and it is the smallest complete unit inside a ग़ज़ल. Two lines,...

Ghazal explained

Reading a Ghazal Aloud, Reading It Silently

A ग़ज़ल read silently on a page and one recited aloud in a room can feel like two genuinely...

Ghazal explained

Why Longing Returns Again and Again

विरह (virah), the pain of separation, sits close to the emotional centre of much ग़ज़ल writing...

Ghazal explained

Radif: The Refrain That Returns Each Time

रदीफ़ (radif) is the word or short phrase that repeats at the end of the second line in every...

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Ghazal explained

Unity of Mood Over Unity of Subject

Ghazal explained

The Candle and the Moth in Ghazal Imagery

Ghazal explained

How One Misra Can Hold a Whole World

Ghazal explained

The Ghazal as Restrained Grief